Matty Dalrymple talks with Art Taylor about WHAT WRITERS CAN LEARN FROM THE FIRST TWO PAGES, including the backstory of why "two pages"; the power of being a percolator (in addition to a plotter or pantser); how research can engender a story; waiting as a mechanism of conflict and suspense; short fiction as an experimental platform; the importance of thinking consciously about the craft issues and studying what gets scrapped; considering advise from veteran and first-time writers; and the power of starting with a bang ... or not.
Show notes and transcript at https://bit.ly/TIAP212
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Art Taylor is the Edgar Award-winning author of two collections: THE ADVENTURE OF THE CASTLE THIEF AND OTHER EXPEDITIONS AND INDISCRETIONS and THE BOY DETECTIVE & THE SUMMER OF ’74 AND OTHER TALES OF SUSPENSE. His debut book, ON THE ROAD WITH DEL & LOUISE: A NOVEL IN STORIES, won the Agatha Award for Best First Novel. His short fiction has also won the Agatha, Anthony, Derringer, and Macavity Awards. He is an associate professor of English at George Mason University.
Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she’s learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer’s Digest" magazine. She is a member of the Alliance of Independent Authors.